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| 2/5/24 Most of my early sketch journal/comic diary entries were simple observations I had made that day, usually on my walks. |
Late last year I quietly (that is, by not sharing the
results on social media) restarted the sketch journal habit that I had previously
let fall to the wayside several times. Keeping it up daily, I reported on my progress in January.
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3/6/24 I still find it especially challenging to imagine and
then draw myself in various scenarios. |
Around the same time, Drewscape’s YouTube videos and
his comic book approach to urban sketching opened my mind to telling
stories with multiple small scenes on a page. As often happens on the YouTube
rabbit trail, I then became intrigued by the comic diaries of Drewscape and
others. In fact, I revisited my own exploration of Lynda Barry’s books on comic diaries a few years ago. With all of these fascinating methods and
ideas for telling personal, visual stories crashing around in my brain, my
daily sketch journal habit began to morph organically (without my pushing
consciously in one direction or the other). To reinforce the habit and
encourage more organic morphing, I challenged myself (again, quietly) to make a
comic diary entry daily for 30 days beginning April 1.
Since I’m more than halfway through the month, it’s a good time
to share some of my progress and process (which actually interest me more than
whatever results I may end up with).
As with other self-challenges, my objective is to
avoid naval-gazing (which I do enough of in my written journal) and stick as
much as possible to sensory-based observations and related thoughts. Although internal
monologs are unavoidable when one considers the diary format, which by
definition is writing for oneself, I try to minimize that.
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| 4/2/24 More observations |
With travel planned for the first week of April, I was afraid I’d have difficulty keeping up with my self-challenge while I was away from my usual routines. Instead, travel turned out to be an ideal opportunity for a comic diary. With ongoing family activities, I couldn’t
always sketch when I wanted to or spend as much time as I might if I were
alone, but I made mental notes to sketch from memory later. The small sketches
were easy to make during moments of downtime. I also used my photos as memory
prompts and sometimes for reference.
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| 4/8/24 A comic diary page I made from photo references and memory. |
As you can see from the examples shown in this post, some entries are nothing more than crudely illustrated notations similar to my original pandemic scribble journal. They hardly resemble “comics,” even the
single-panel type. Although I’ve made some attempts at using a theme (“Things I
Missed/Didn’t Miss While Traveling,” below), I still have difficulty with developing a
story arc visually. (As a lifelong writer, I find it ironic and frustrating
that it’s much easier for me to do that with words.) That’s my goal for the
rest of the month.
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| 4/11/24 A "theme" comic from imagination |
The closest I’ve come to any kind of “narrative” is the page I made after I met a friend for brunch in West Seattle’s Admiral District (below). You already saw the sketches I made on location the same day; it was an
additional challenge not to duplicate what I had already sketched from life. The
comic diary page (made from memory and photos) has a behind-the-scenes feeling to
it – editorializing about the sketches from life. I didn’t plan to do this, but
it was another organic outcome: Making the urban sketches first helped to give
narrative to the diary page.
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4/14/24 Based on memory and photo references, this comic diary page
is "behind-the-scenes" of the urban sketches made earlier that day. |
I recently had a V-8 moment which would probably amuse others: For most of my urban sketching life (which began in 2011), I’ve been
very strict with myself about keeping the sketches I make from direct
observation “pure.” For example, I would never start a sketch on location, then
finish it at home by embellishing it with imaginative details or polishing it up
by using photo references. Unlike many urban sketchers, I don’t even add color
later. It’s just my personal policy: A sketch begun onsite is finished onsite.
In the same vein, making a comic diary that includes
sketches done from life alongside those made from memory or imagination was
unacceptable to me. I seemed to have an unconscious desire to protect the Urban
Sketchers philosophy from getting muddied (as an admin for USk Seattle, I have
enough work trying to explain that philosophy to new members regularly). To
avoid potential confusion, I simply kept memory/imagination sketches segregated
from urban sketches.
Suddenly one day, it hit me: This is my diary, for
cryin’ out loud! Most pages will not be seen by others, let alone judged for
mixing urban sketches with imaginative ones. Heck, I could put sketches made from
photo references right there on the same page as an urban sketch! Lightning
will not strike me down!
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| 4/13/24 The statue of James W. Washington, The Brothers and the magnolia blossom were sketched from life. The donut and poke bowl were sketched from memory -- and all of it on the same page! Lightning did not strike me! |
You’re laughing, I know. I’m sure most people never think twice about mixing sketches made from a variety of sources. But after being a dyed-in-the-wool urban sketcher exclusively for most of my sketching life, evolution comes slowly.
As for materials, I am staying simple: a brush pen or other
black marker in whatever is my current daily-carry Uglybook sketchbook.
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Using one Uglybook as a chronological sketchbook/comic diary
makes it easy to complete in two or three weeks. |
Speaking of that, I am keeping up my personal pledge to completely fill each Uglybook before switching to a new color. Although I
sometimes miss the fun of jumping from color to color, the much larger benefit
is that I am maintaining chronological continuity in that one book.
I still use my daily-carry A6 Hahnemühle sketchbook
when I want to use color, and I also occasionally use an A5 Hahnemühle when I
want a larger page, especially with watercolor or chunky Derwent Inktense
Blocks. With multiple sketchbooks, I can’t keep all sketches in
chronological order, but I enjoy filling the Uglybook every day with something
– a sketch on location; a sketch from memory, imagination or photo reference; a
comic diary entry. (Another benefit is that I complete each 48-page Uglybook much faster now – in only two or three weeks.) It’s something I’ve always wanted to do for a long time but couldn’t
figure out a way to make it work. That makes it especially satisfying now.
